Oh yeah and in addition I keep thinking about how we cast the audience..for some reason this feels significant to me - not just as the "choosers" of the stories but how they come to be there and what part of this world we are creating they represent or belong to. I would like to play with this idea now rather than later becuase it might have impact on how some of you writers respond to the communication of your voice. I also don't think that it is important that the audience know how we've cast them but it is important for us. Hopefully, and ideally, they will feel it rather than be able to know it, and that feeling might make them think about their own culpability in relation to the future.
ps to performance - the audience..
Oh yeah and in addition I keep thinking about how we cast the audience..for some reason this feels significant to me - not just as the "choosers" of the stories but how they come to be there and what part of this world we are creating they represent or belong to. I would like to play with this idea now rather than later becuase it might have impact on how some of you writers respond to the communication of your voice. I also don't think that it is important that the audience know how we've cast them but it is important for us. Hopefully, and ideally, they will feel it rather than be able to know it, and that feeling might make them think about their own culpability in relation to the future.